{"id":1380,"date":"2022-03-11T18:56:14","date_gmt":"2022-03-11T17:56:14","guid":{"rendered":"https:\/\/philippelimoge.com\/projects\/"},"modified":"2023-11-15T22:55:43","modified_gmt":"2023-11-15T21:55:43","slug":"projects","status":"publish","type":"page","link":"https:\/\/philippelimoge.com\/en\/projects\/","title":{"rendered":"Projects"},"content":{"rendered":"

[vc_row motts_theme_padding=”no” use_container=”yes” el_id=”solo” css=”.vc_custom_1648025246837{padding-top: 90px !important;padding-bottom: 60px !important;}”][vc_column][ts_section_title title=”EN SOLO”][vc_column_text]in SOLO<\/a> – in DUO<\/a> – in TRIO<\/a> – in QUARTET<\/a> – in QUINTET<\/a> – with ORCHESTRA<\/a>[\/vc_column_text][\/vc_column][\/vc_row][vc_row section_background_color=”#161619″ use_container=”yes”][vc_column width=”1\/3″][ts_image fancybox=”yes” image=”381″][\/vc_column][vc_column width=”2\/3″ css=”.vc_custom_1647364814965{padding-top: 50px !important;}”][ts_section_title title_color=”yes” link_target=”new tab” title=”Masterclass \/ Concert” tagline=”The Electro Libre project can be unfolded in two parts. A masterclass focusing on percussion, digital tools, and a solo concert.” link_label=”Pr\u00e9sentation” link_url=”https:\/\/philippelimoge.com\/wp-content\/uploads\/2022\/04\/Masterclass_-Concert-Electro-libre-2.pdf”][\/vc_column][\/vc_row][vc_row section_background_color=”#222327″ use_container=”yes”][vc_column width=”2\/3″ css=”.vc_custom_1647364820691{padding-top: 50px !important;}”][ts_section_title title_color=”yes” link_target=”new tab” title=”Young audience show” tagline=”The young audience show comprises several components: Acoustic percussion instruments (Vibraphone, Drums, accessories…), MIDI controllers, real-time loop manipulation, and beatboxing.” link_label=”Presentation” link_url=”https:\/\/philippelimoge.com\/wp-content\/uploads\/2022\/03\/Spectacle-jeune-public-Electro-libre.pdf”][\/vc_column][vc_column width=”1\/3″][ts_image fancybox=”yes” image=”587″][\/vc_column][\/vc_row][vc_row motts_theme_padding=”no” use_container=”yes” el_id=”duo” css=”.vc_custom_1648025279015{padding-top: 90px !important;padding-bottom: 60px !important;}”][vc_column][ts_section_title title=”EN DUO”][vc_column_text]in SOLO<\/a> – in DUO<\/a> – in TRIO<\/a> – in QUARTET<\/a> – in QUINTET<\/a> – with ORCHESTRA<\/a>[\/vc_column_text][\/vc_column][\/vc_row][vc_row section_background_color=”#161619″ use_container=”yes”][vc_column width=”1\/3″][ts_image fancybox=”yes” image=”588″][\/vc_column][vc_column width=”2\/3″ css=”.vc_custom_1647364814965{padding-top: 50px !important;}”][ts_section_title title_color=”yes” link_target=”new tab” title=”Percuduo” link_label=”Dossier de pr\u00e9sentation” link_url=”\/wp-content\/uploads\/2022\/03\/PercuDuoWeb-v10-1.pdf”][vc_empty_space][ts_text_content_block content_color=”yes”]Over the past 50 years, percussion has enjoyed an extraordinary boom in the world of music. The great contemporary composers Boulez, Messiaen and Var\u00e8se have integrated them as orchestral solo instruments. In this way, they advanced their writing, instrumental construction and percussion playing. Other musical styles have seen the role of percussion grow, such as jazz, where the drums, an indispensable rhythmic element, have become the leader in many formations, and the vibraphone has taken its place alongside the piano.<\/p>\n

Among the architects of this evolution are Daniel Humair, Peter Erskine, Milt Jackson and Mike Mainieri. Vibraphone, marimba, drums… these are PercuDuo’s weapons… and yet…[\/ts_text_content_block][\/vc_column][\/vc_row][vc_row section_background_color=”#222327″ use_container=”yes”][vc_column width=”2\/3″ css=”.vc_custom_1647364820691{padding-top: 50px !important;}”][ts_section_title title_color=”yes” title=”Duo Cello\/ Marimba”][vc_empty_space][ts_text_content_block content_color=”yes”]The acoustic duo centered around the music of Bach gradually evolved to embrace amplified genres. A versatile ensemble, they welcome instruments such as drums and trombone. Improvisation and live looping are integral to their collective performance.[\/ts_text_content_block][vc_empty_space height=”60px”][vc_row_inner][vc_column_inner width=”1\/6″][\/vc_column_inner][vc_column_inner width=”2\/3″][ts_text_content_block content_color=”yes”]<\/p>\n

Vid\u00e9o from Op\u00e9ra Orchestre National of Montpellier<\/a><\/p>\n

[\/ts_text_content_block][vc_empty_space][vc_video link=”https:\/\/www.youtube.com\/watch?v=7WNUUqxRczk”][\/vc_column_inner][vc_column_inner width=”1\/6″][\/vc_column_inner][\/vc_row_inner][\/vc_column][vc_column width=”1\/3″][ts_image fancybox=”yes” image=”589″][\/vc_column][\/vc_row][vc_row motts_theme_padding=”no” use_container=”yes” el_id=”trio” css=”.vc_custom_1648025290616{padding-top: 90px !important;padding-bottom: 60px !important;}”][vc_column][ts_section_title title=”EN TRIO”][vc_column_text]in SOLO<\/a> – in DUO<\/a> – in TRIO<\/a> – in QUARTET<\/a> – in QUINTET<\/a> – with ORCHESTRA<\/a>[\/vc_column_text][\/vc_column][\/vc_row][vc_row section_background_color=”#161619″ use_container=”yes”][vc_column width=”1\/3″][ts_image fancybox=”yes” image=”590″][\/vc_column][vc_column width=”2\/3″ css=”.vc_custom_1647364814965{padding-top: 50px !important;}”][ts_section_title title_color=”yes” link_target=”new tab” link_label=”Dossier de pr\u00e9sentation” link_url=”\/wp-content\/uploads\/2022\/03\/Dossier-presse-projet-Bach-1.pdf” title=”From Bach to the improbable”][vc_empty_space][ts_text_content_block content_color=”yes”]3 worlds: classical, contemporary, jazz,
\n3 instruments: cello, marimba, drums,
\n3 musicians: Cyrille Tricoire, Patrice H\u00e9ral and Philippe Limoge meet around Johann Sebastian Bach.
\nThe cello suites will be the pretext for venturing into improvisation and personal compositions.
\nThe whole set is teleported to the 21st century in an electro environment![\/ts_text_content_block][\/vc_column][\/vc_row][vc_row section_background_color=”#222327″ use_container=”yes”][vc_column width=”1\/2″][ts_section_title title_color=”yes” link_target=”new tab” link_label=”Dossier de pr\u00e9sentation” link_url=”https:\/\/philippelimoge.com\/wp-content\/uploads\/2022\/03\/Dossier-de-pre\u00b4sentation-MX4L-ligth.pdf” title=”MX4L”][vc_empty_space][ts_text_content_block content_color=”yes”]Explorers of digital tools (Ableton Live, Synthesizers, vocoder, Loopers, Multi-effects, Controller OSC….), Philippe Limoge, Patrice H\u00e9ral and Jean-Luc Lehr play an original “cross-genre” repertoire. Their improvisations range from jazz and pop to minimalist styles…. and reuse sounds in the manner of musique concr\u00e8te. The movement is futuristic, impressionistic and abstract in real time.
\nMX4L(MAX for Live<\/em>) powerful sound generation interface <\/strong>[\/ts_text_content_block][\/vc_column][vc_column width=”1\/2″ css=”.vc_custom_1647364814965{padding-top: 50px !important;}”][ts_image fancybox=”yes” image=”746″][\/vc_column][\/vc_row][vc_row motts_theme_padding=”no” use_container=”yes” el_id=”quartet” css=”.vc_custom_1648025302009{padding-top: 90px !important;padding-bottom: 60px !important;}”][vc_column][ts_section_title title=”EN QUARTET”][vc_column_text]in SOLO<\/a> – in DUO<\/a> – in TRIO<\/a> – in QUARTET<\/a> – in QUINTET<\/a> – with ORCHESTRA<\/a>[\/vc_column_text][\/vc_column][\/vc_row][vc_row section_background_color=”#222327″ use_container=”yes”][vc_column width=”1\/2″ css=”.vc_custom_1647943773168{padding-top: 80px !important;}”][ts_image fancybox=”yes” image=”635″][\/vc_column][vc_column width=”1\/2″ css=”.vc_custom_1647364814965{padding-top: 50px !important;}”][ts_section_title title_color=”yes” link_target=”new tab” link_label=”Dossier de pr\u00e9sentation” link_url=”\/wp-content\/uploads\/2022\/03\/Dossier-de-presse-Double-Duo.pdf” title=”Double Duo”][vc_empty_space][ts_text_content_block content_color=”yes”]After 2 tours in Japan, the “Double duo” project continues its adventure with new transcriptions. As the composers point out, “percussion is never more to the fore than when accompanied”. The strings (violin\/cello) bring depth and richness of timbre to the ensemble. Their often dramatic vibratos blend with vibraphone resonances and marimba attacks.<\/p>\n

The program is based on French and American music, which has already been the subject of two Percuduo albums (Acousticks and Amerikas) released by Polymnie. Original works for piano (Ravel, Debussy, Chabrier…) and musicals (Bernstein, Gershwin) will leave the performers free to surprise and delight you.[\/ts_text_content_block][\/vc_column][\/vc_row][vc_row motts_theme_padding=”no” use_container=”yes” el_id=”quintet” css=”.vc_custom_1648025312678{padding-top: 90px !important;padding-bottom: 60px !important;}”][vc_column][ts_section_title title=”EN QUINTET”][vc_column_text]in SOLO<\/a> – in DUO<\/a> – in TRIO<\/a> – in QUARTET<\/a> – in QUINTET<\/a> – with ORCHESTRA<\/a>[\/vc_column_text][\/vc_column][\/vc_row][vc_row section_background_color=”#161619″ use_container=”yes”][vc_column width=”1\/2″][ts_section_title title_color=”yes” title=”Stick Machine”][vc_empty_space height=”20px”][ts_text_content_block content_color=”yes”]Founded in 2017, Stick Machine was born out of a desire to showcase Percussion keyboards.
\nVibraphone and marimba converse, accompanied by a rhythm section (synthesizers, bass, drums).
\nThe “electro jazz” repertoire is inspired by minimalist or repetitive music (Philip Glass, Steve Reich) as well as jazz (John Zorn, Pat Metheny) and rock (Gong, F. Zappa).
\nMusic composed of asymmetrical bars, ostinatos and layers develops harmonies and sound colors that only percussion can offer.
\nIts originality, its striking power…..
\nAn eclectic, electric band in which all instruments are amplified or sonorized, an eminently percussive ensemble with a powerful, multi-hued sound.
\nStick Machine ? is a group of five musicians from different backgrounds: Classical music, jazz, rock, free improvisation…
\nTheir desires? Combining Vibra and Marimba percussion with contemporary music and improvisation
\nTheir repertoire? Without borders, in perpetual motion….[\/ts_text_content_block][\/vc_column][vc_column width=”1\/2″ css=”.vc_custom_1647364814965{padding-top: 50px !important;}”][ts_image fancybox=”yes” image=”591″][ts_section_title title_color=”yes” link_target=”new tab” link_label=”Dossier de pr\u00e9sentation” link_url=”\/wp-content\/uploads\/2022\/03\/Dossier-de-presse-Stick-Machine-01-07-2019-ligth.pdf” title_align=”text-center”][\/vc_column][\/vc_row][vc_row motts_theme_padding=”no” use_container=”yes” el_id=”orchestra” css=”.vc_custom_1648025323919{padding-top: 90px !important;padding-bottom: 60px !important;}”][vc_column][ts_section_title title=”AVEC ORCHESTRE”][vc_column_text]in SOLO<\/a> – in DUO<\/a> – in TRIO<\/a> – in QUARTET<\/a> – in QUINTET<\/a> – with ORCHESTRA<\/a>[\/vc_column_text][\/vc_column][\/vc_row][vc_row section_background_color=”#222327″ use_container=”yes”][vc_column width=”1\/6″][\/vc_column][vc_column width=”2\/3″ css=”.vc_custom_1647364814965{padding-top: 50px !important;}”][ts_image fancybox=”yes” image=”592″][vc_empty_space height=”20px”][ts_text_content_block content_color=”yes”]Accustomed to playing with string or symphonic orchestras, I offer to play my solo repertoire with orchestra or in the company of my trio (vibraphone, bass, drums)+ orchestra. Orchestra equipment on request.[\/ts_text_content_block][\/vc_column][vc_column width=”1\/6″][\/vc_column][\/vc_row]<\/p>\n","protected":false},"excerpt":{"rendered":"

[vc_row motts_theme_padding=”no” use_container=”yes” el_id=”solo” css=”.vc_custom_1648025246837{padding-top: 90px !important;padding-bottom: 60px !important;}”][vc_column][ts_section_title title=”EN SOLO”][vc_column_text]in SOLO – in DUO – in TRIO – in QUARTET – in QUINTET – with ORCHESTRA[\/vc_column_text][\/vc_column][\/vc_row][vc_row section_background_color=”#161619″ use_container=”yes”][vc_column width=”1\/3″][ts_image fancybox=”yes” image=”381″][\/vc_column][vc_column width=”2\/3″ css=”.vc_custom_1647364814965{padding-top: 50px !important;}”][ts_section_title title_color=”yes” link_target=”new tab” title=”Masterclass \/ Concert” tagline=”The Electro Libre project can be unfolded in two parts. A masterclass focusing […]<\/p>\n","protected":false},"author":1,"featured_media":1223,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"page-builder.php","meta":{"footnotes":""},"class_list":["post-1380","page","type-page","status-publish","has-post-thumbnail","hentry"],"_links":{"self":[{"href":"https:\/\/philippelimoge.com\/en\/wp-json\/wp\/v2\/pages\/1380","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/philippelimoge.com\/en\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/philippelimoge.com\/en\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/philippelimoge.com\/en\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/philippelimoge.com\/en\/wp-json\/wp\/v2\/comments?post=1380"}],"version-history":[{"count":4,"href":"https:\/\/philippelimoge.com\/en\/wp-json\/wp\/v2\/pages\/1380\/revisions"}],"predecessor-version":[{"id":1580,"href":"https:\/\/philippelimoge.com\/en\/wp-json\/wp\/v2\/pages\/1380\/revisions\/1580"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/philippelimoge.com\/en\/wp-json\/wp\/v2\/media\/1223"}],"wp:attachment":[{"href":"https:\/\/philippelimoge.com\/en\/wp-json\/wp\/v2\/media?parent=1380"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}